Dracula Vs Dracula
The 1931 English Vs. Spanish version
Dracula vs. Dracula - The Lugosi Dracula versus the highly-lauded 1931 Spanish version made on the same sets as the Universal film.
In 1931 Universal released two Dracula movies: the famous Bela Lugosi / Tod Browning version, and the lessor known "Spanish" version. Shot at night on the same sets with the same props, the "Spanish" version has it's star Carlos Villaras using the same widows-peak hairpiece that Bela Lugosi used in his version, and in general following the same footpath as Lugosi's through the story.
With the same script in hand, Director George Melford (who did not speak Spanish) worked with a cast of actors from Mexico and South America (hence the mixture of Spanish accents in the film) and essentially reshot Browning's film. Melford's technical team had the benefit of seeing Browning's rushes that had been shot earlier during the day, and would then be set free to do their own version. The result is a version of Dracula that often deviates away from Browning's approach and at times beats Browning at his own game.
The "Spanish Version" is a longer film, clocking in with nearly 20 minutes of additional story compared to the shorter 75 minute running time of the English language version. In particular, various plot points are tied up and characterizations expanded in the Spanish version. Which begs the question: since Melford is following the Browning version, is the Melford version thus a more accurate example of what was the Browning version before it was cut down to a shorter length prior to release?
Melford's version didn't reshoot everything. In fact there are strange repetitions in the Melford version. For example, during the opening sequence at Dracula's castle when the brides of Dracula rise from their coffins and walk around in the catacombs, it is the same three from the English version that appear in both films. In later scenes of the Spanish version, we've got three very different wives on the loose (they're particularly aggressive compared to the sedate wives of Browning's version).
Other sections of the Spanish film just repeat the same footage as seen in the Browning movie, such as the two spying women at the inn where Renfield first arrives before setting out for Dracula's castle.
The 2013 Blu Ray release of the two Dracula films shows modern differences. For example, the Browning version has higher contrast in the remastered Blu Ray than does the remastered Spanish version.
The Spanish version has better grey tones and better general detail, except during the "missing" section of the Spanish Dracula where is patched in sequences sourced from a lower-quality print found in Cuba. This section is quite ragged compared to the rest of Melford's film on the Bluray disc. The "Spanish version" also explores the Dracula movie set with more depth, letting us see aspects of the art direction that barely gets any screen time in the Browning version.
As with the earlier "Legacy" DVD releases, there appears to be some tampering with the solid blacks around Lugosi in the first quarter of the Browning version.
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- La Fortuna Di Essere Donna – 1956 with Sophia Loren, Marcello Mastroianni and Charles Boyer
- When the Daltons Rode 1940
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- The Madonna's Secret – 1946
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Original Page June 2014 | Updated April 4, 2021