More Audrey Hepburn
Audrey Hepburn, from the pre-suicide scene in Sabrina, 1954.
Directed by Billy Wilder, written by Billy Wilder, Samuel Taylor and Ernest Lehman. Based on the play by Samuel Taylor.
Billy Wilder's Sabrina from 1954 is a satirical look at high finance and the ways of the rich, plus the amazing effects a sojourn in France can have upon a person, regardless of their social class (and the unexpected affection of humans which blur the lines between the moneyed and un-moneyed parts of society).
The bite in Wilder's screenplay is lessoned and smoothed out for the remake of 1995, where Harrison Ford took over the Bogart role as billionaire Linus Larrabee (Linus was only a millionaire in the '54 version). Greg Kinnear is a more likeable, self-deprecating version David Larrabee than William Holden's version from earlier, and the role of Sabrina is significantly altered from the slightly pathetic (Audrey Hepburn's) to the geeky and socially awkward (Julia Ormond's version). Both characterizations end with Sabrina triumphant, though, as both possess honesty and clarity, something lacking in all of the characters around them.
Bogart supposedly was unhappy with Sabrina because he felt he was simply too old to be playing the role he was contracted for. But his Linus Larrabee doesn't just ignore his sizeable age difference to the youthful Sabrina, the Wilder script has him commenting wryly, as he tries to find something in his wardrobe which isn't Wall Street, only to discover his university outfit from an age gone by, so Bogart quips "Joe College, with a touch of arthritis."
Audrey Hepburn is adorable and charming, and Bogart steady and helpless: like the later version, Sabrina must rescue the millionaire who can't rescue himself.
Original Page Jan 2015
From former screen legends who have faded into obscurity to new revelations about the biggest movie stars, Valderrama unearths the most fascinating little-known tales from the birth of Hollywood through its Golden Age.
Winner of the 2020 Peter C. Rollins Book Award
Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation
Named a 2019 Richard Wall Memorial Award Finalist by the Theatre Library Association